Titan / Karmela's Church case

live media performance with Postmodern Art Ensemble
duration / not predetermined

The source of the audiovisual research diverge on two fields - Mahler's second paragraph from the First symphony Titan and nominative-astrological musical settings extracted from the ensamble members names. The piece investigates the aspects of aleatoric quality and improvisation in the interaction of live music and video projections. It is based on cases - audiovisual concert/evenings of ambient type in which the duration and form are not predetermined.